Usually, wedding photography is totally different from product photography. There are numerous times where our commercial & product photography skills really come in handy: when we’re shooting bridal jewelry. Part of getting up close and personal with many couples on their wedding day is getting close-ups.

A lot of couples ask for shots of their wedding rings, and brides who wear tiaras or other heirloom pieces passed down from generation to generation will ask us to photograph them.

Using a close-up macro lens is important for jewelry shots, of course, but lighting is the ultimate key. Natural lighting tends to work badly for ring shots, due to a reflective blend of colors that can mottle the jewelry. To really make the jewels sparkle, close-up photographs tend to need a LOT of light and they need to be well-placed lights.

For example, couple of weeks ago, we shot a wedding at the Ranch Golf Club in San Jose. The wedding colors were purple and green, and the bride’s flower of choice was purple tulips. When we shoot up-close with petals, getting the lighting right is super important—the rings in the purple flower would look dingy and purple, had the setting not been backlit with well-placed lights and reflected back. This shot took us just a few minutes, but could easily be used by a jewelry company for a full two-page spread advertising in a fashion magazine!!!

One of my other favorite jewelry shots was from a wedding at Far Niente, an amazing high-end winery in Napa. The winery has huge wine caves built into the hills, and their wines are in the hundreds. They do not usually hold weddings in the vineyard, but since the groom works there, they made an exception. The couple’s love is in its early phases now, but will age like a fine wine, so we honored the occasion and the spectacular setting by showing the rings against the ripening grapes.

The natural light outdoors made for great wedding shots, but we used lights for the ring pictures. Like the tulip photograph, this was especially important, because the light going through things like leaves and petals can leave a weird tint on the metal and jewels. By carefully lighting the rings in this shot, we made them sparkle and really pop against the green leaves and purple grapes.

One more that I LOVE is this stack of rings. This is from another incredible wedding, this time at the Ahwahnee Hotel in Yosemite. The groom has a son and daughter, and they decided to buy them rings for the wedding too, so that the wedding was not just about the couple, but also about the memorable and meaningful new bond between the kids and their step-mom. Isn’t that sweet?! It totally melted my heart. We stacked the rings together to show how the family’s rings were a symbol of their togetherness—all the separate rings became one.

Below is some of our commercial photography work, photographed for Brilliant Earth, a San Francisco conflict-free gem company that sells wedding rings to couples who are concerned about the source of their diamonds. As you can see, the type of work is not much different from the personal jewelry shots!!

When couples ask us to photograph their rings, we always look for creative ways to tell a story with the picture—it shouldn’t look like an ad for a jewelry store; it is personal and real. And it should definitely have the right lighting. ☺

So, I got a bit bored of shooting straight product shots this week. Although they are pretty, nothing conveys the feeling of “if I buy that diamond ring, I’ll look as gorgeous as the model in the poster” better than a lifestyle photography of model(s) wearing or using the product in an ad campaign.

This genre of commercial photography takes a lot of work and can cost a bit more. Think about it. Instead of only hiring just a product photographer and his/her assistant; you’ll be paying a crew of talents that range from great model(s), a makeup artist, a hair stylist, photography assistants, coordinators, security guards, location rentals, equipment rentals, etc, a la Annie Leibovitz le grandeur style. And of course, don’t forget about the knowledgeable photographer who needs to project manage this team of artistic and talented players in the studio or on location.

It’s no wonder that only the large jewelry companies are the only ones that can afford the types of ad campaigns that slap enticing images into several pages of popular magazines. These larger scale expenses can chew into the profit margins of large corporations with a tight budget. For the smaller guys, these types of campaigns are near unreachable.

I don’t think it needs to stay that way. Amazing lifestyle imagery with products can be achieved without breaking the bank.

So, how can we increase efficiency in a photoshoot? Here are some suggestions.

1. Substitute some of the less important roles with freelance models. Your photographer has probably worked with plenty that they think have high potential. Ask him/her for suggestions! Do note that, a risk involved is the ability of how the model to performs. Professional models are a bit more in-tuned with their poses, look and style that will match your creative needs.
2. How about getting a good photographer who has the know-how in lighting and can work his/her own lights without hiring 5-10 assistants that he/she can bark out orders to. Yes, of course, project size varies and there are times where a large crew is necessary. What I’m merely recommending is to increase productivity without creating waste or cutting corners.
3. A photographer who owns his/her lighting equipment means that he/she won’t have to rent them and that can be a great cost savings too! Equipment rentals can run from hundreds to thousands of dollars!
4. Also, getting a good coordinator to manage the time is absolutely critical and can save you money overall. Bottlenecks in production can halt the entire process and increase cost!

On another note, last week was an amazing week. I am proud to say that my photographs (both comp cards and beauty shots) help propel two more fantastic models to get recognized and interviewed by huge international status agencies; i.e. Ford Models and Marla Dell. These are the agencies that supply models to ads and campaigns such as Elizabeth Arden, Cosmopolitan, Glamour magazines and Abercrombie catalogs.

Suffice to say, there are phenomenal opportunities that can open up to them and I’m truly happy to be a big part of this turning point of their lives and careers!

- Michael Soo